| I'm happy very good site https://krplas.com/stmap_62kqmdaq.html?ashwagandha.venlafaxine.metoclopramide.viagra ivermectina tempo de vida media Sophia McDougall mentions briefly the racialization of the strong female character clichﾃδεつｩ and the dangerous ways it can intersect with the ﾃδ｢ﾃつ?ﾃつ徭trong Black womanﾃδ｢ﾃつ?ﾃつ stereotype. Jumping fandoms for a second, Joss Whedonﾃδ｢ﾃつ?ﾃつ冱 work is sadly a great example of this. Buffy the Vampire Slayer, the quintessential strong woman character, is actually super multidimensional. Hers is the story of someone who is pushed into the strong woman role by big, patriarchal forces (ﾃδ｢ﾃつ?ﾃつ廬n every generation, one Slayer is born, because a bunch of men who died thousands of years ago made up that rule.ﾃδ｢ﾃつ?ﾃつ? and would love to get to be/actually is ﾃδ｢ﾃつ?ﾃつ徊ust a girl.ﾃδ｢ﾃつ?ﾃつ As a vampire with a psych degree tells her, ﾃδ｢ﾃつ?ﾃつ弸ou do have a superiority complex. And youﾃδ｢ﾃつ?ﾃつ况e got an inferiority complex about it. Kudos.ﾃδ｢ﾃつ?ﾃつ Buffy is impossibly strong, which actually creates some room for her to be complex. But then compare her to Zoe from Firefly, who I love (especially because Gina Torres is the shit), but who doesnﾃδ｢ﾃつ?ﾃつ冲 get to be much besides strong, even when her husband is a leaf on the wind. Here, the strong female character intersects with Whedonﾃδ｢ﾃつ?ﾃつ冱 standard Black character archetype: the morally conflicted soldier (Gunn on Angel, Truman in The Cabin in the Woods, Boyd Langton for the first season of Dollhouse, anyway. I also find it interesting that when Buffy dates this archetype heﾃδ｢ﾃつ?ﾃつ冱 white ﾃδ｢ﾃつ?ﾃつ and many Buffy fans have called Riley boringly one-note). |
